EditSynopsis One hundred years ago, Dahara City was beset by a terrible calamity brought on by a great power. The city was saved when a mysterious man sealed that power in the Prison Bottle, and became peaceful. In the present, Ash and his friends arrive in Dahara City, where they meet the mischievous Pokémon Hoopa as well as its human companion Mary. However, when Mary's elder brother Barza discovers the Prison Bottle in the desert and multiple Legendary Pokémon appear in the city, the battle of a century ago restarts, triggering a cataclysm that forces the appearance of even more Legendary Pokémon, drawing Arceus into the fray.

Summer has arrived, and the students of Lillian Girls' Academy are on break! Yumi and Sachiko head out to the Ogasawara family's summer home, but what was supposed to be a relaxing vacation takes a turn for the worse when some of Sachiko's old acquaintances drop by for tea. These rich and snobby debutantes don't think Yumi is worthy of Sachiko's affection and they're out to make this summer one she'll regret.

Pikachu meets the Pichu brothers and goes on an adventure through the city with them while trying to get back to the building where the rest of Ash's Pokemon are.

The time: 1814. The place: Edo, now known as Tokyo. One of the highest populated cities in the world, teeming with peasants, samurai, townsmen, merchants, nobles, artists, courtesans, and perhaps even supernatural things. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Short-tempered, utterly sarcastic, with no passion for sake or money, he would charge a fortune for any job he is not really interested in. Third of Tetsuzo's four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father's talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. "We're father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another." Decades later, Europe was going to discover the immense talent of Tetsuzo. He was to become best known by one of his many names: Katsushika Hokusai. He would mesmerize Renoir and van Gogh, Monet and Klimt. However, very few today are even aware of the woman who assisted him all his life, and greatly contributed to his art while remaining uncredited. This is the untold story of O-Ei, Master Hokusai's daughter: a lively portrayal of a free-spirited woman overshadowed by her larger-than-life father, unfolding through the changing seasons.